Turbojet. History and Development 1930- 1960. Volume 1 Great Britain and Germany.
Anthony L. Kay. The Crowood Press, 2007. ISBN: 978-1861269126. Capa dura, 22,5x29cm, 272p.
Como novo
€50,00
This important project brings together the early histories of the development of the turbojet, turboprop and turboshaft engines for the first time. The work of twelve nations [Great Britain, Germany, the Soviet Union, the United States, Japan, France, Canada, Sweden, Switzerland, Italy, Czechoslovakia and Hungary] is described from the earliest days up to the end of the 1950s. This was the Golden Age of aeronautical development and in that time hundreds of engines were developed using the new and exciting gas turbine technology. These engines powered some of the most important and best loved aircraft of the century.
Turbojet. History and Development 1930- 1960. Volume 2 USSR, USA, Japan, France, Canada, Sweden, Switzerland, Italy and Hungary
Anthony L. Kay. The Crowood Press 2007. ISBN: 978-1861269393. Capa dura, 22,5x29cm, 272p.
Como novo.
€ 50,00
Presents history of the early years of the jet engine. This work covers all the countries to embark on jet engine development after the leads established by Great Britain and Germany before World War Two.
Loja virtual de livros usados, livros antigos e livros raros. Primeiras edições, edições esgotadas, edições raras. Para bibliófilos, coleccionadores e para quem gosta de ler. Com uma variedade interessante de títulos em muitas áreas; Arte, Fotografia, Arquitectura, História, Ciência, Romance, Esoterismo. Compramos livros. Agora também com discos de vinílo usados. LPs e singles dos mais variados géneros de música.
Mostrar mensagens com a etiqueta Inglês. Mostrar todas as mensagens
Mostrar mensagens com a etiqueta Inglês. Mostrar todas as mensagens
Magnum. Stunning contemporary photography from around the globe by Magnum photographers
Magnum Photographers. Phaidon, 2000. ISBN: 978-0714838212. Capa dura, 25,5x25,5cm, 536p. Muito bom estado.
€ 40,00.
A vision of the contemporary world since the fall of the Berlin Wall in 1989, by the photographers of Magnum. The volume includes work from a range of photographers from Cartier-Bresson to the organization's newest recruits. The images are presented in a sequence of photo essays introduced by the photographers themselves. Many of the images were shot especially for the book. Magnum's 55 member and associate photographers participating in this book with new work include Eve Arnold, Henri Cartier-Bresson, Raymond Depardon, Elliott Erwitt, Leonard Freed, Josef Koudelka, Steve McCurry, Susan Meiselas, James Nachtwey, Martin Parr, Gueorgui Pinkhassov, Larry Towell and Ferdinando Scianna.
Magnum Photographers. Phaidon, 2000. ISBN: 978-0714838212. Capa dura, 25,5x25,5cm, 536p. Muito bom estado.
€ 40,00.
A vision of the contemporary world since the fall of the Berlin Wall in 1989, by the photographers of Magnum. The volume includes work from a range of photographers from Cartier-Bresson to the organization's newest recruits. The images are presented in a sequence of photo essays introduced by the photographers themselves. Many of the images were shot especially for the book. Magnum's 55 member and associate photographers participating in this book with new work include Eve Arnold, Henri Cartier-Bresson, Raymond Depardon, Elliott Erwitt, Leonard Freed, Josef Koudelka, Steve McCurry, Susan Meiselas, James Nachtwey, Martin Parr, Gueorgui Pinkhassov, Larry Towell and Ferdinando Scianna.
The Defender. The Story of General Dynamics. Roger Franklin. Harper & Row, 1ª edição 1986. ISBN: 978-0060155100. Capa dura, 16x24cm, 388p. Muito bom estado.
€ 20,00
Franklin's book is another study of General Dynamics, following Jacob Goodwin's Brotherhood of Arms ( LJ 8/85). Both look at defense contracting and both are histories but this is a more usual narrative history. Franklin traces the firm's history from early days of the Electric Boat Company and the first subs to the most recent projects. One might wish for a fuller account of the Convair aircraft division of GD but well told are the blunders of the jetliner decision that took GD out of the civil market altogether. Well told too are the stories of the people who led GD. Interesting and recommended for general readers.
€ 20,00
Franklin's book is another study of General Dynamics, following Jacob Goodwin's Brotherhood of Arms ( LJ 8/85). Both look at defense contracting and both are histories but this is a more usual narrative history. Franklin traces the firm's history from early days of the Electric Boat Company and the first subs to the most recent projects. One might wish for a fuller account of the Convair aircraft division of GD but well told are the blunders of the jetliner decision that took GD out of the civil market altogether. Well told too are the stories of the people who led GD. Interesting and recommended for general readers.
The Illustrated Reference on Cactus & other succulents. Volume four. Edgar Lamb, Brian Lamb. Blandford, 1966. Capa dura, 14,5x22cm, 320p. Bom estado.
€ 15,00
These pictorial encyclopaedias provide a unique refer ence and a means of quick and easy recognition of cacti and succulents. Every plant illustrated is captioned with its name, together with the Botanical Authority, country of origin, notes on colour, size and general cultivation. The information is intended to be non-technical and readily understood by the average collector who follows the hobby for pleasure yet wishes to know a little more.
€ 15,00
These pictorial encyclopaedias provide a unique refer ence and a means of quick and easy recognition of cacti and succulents. Every plant illustrated is captioned with its name, together with the Botanical Authority, country of origin, notes on colour, size and general cultivation. The information is intended to be non-technical and readily understood by the average collector who follows the hobby for pleasure yet wishes to know a little more.
Film Posters Exploitation. Tony Nourmand, Graham Marsh. Taschen, 2006. ISBN: 978-3822856253. Capa mole, 25x31cm, 192p. Muito bom estado.
€ 20,00
Sex, drugs, delinquency, Black power, alternative culture and, of course, rock and roll: these are just some of the themes, which have attracted the attention of the cinema's bottom-feeders over the past eighty years. A few of the resulting films have become cult classics, but most were simply tacky - few would probably now want to sit through two hours of "High School Hellcats" (1958) or "Hot Rod Rumble" (1957). The posters produced to promote them, on the other hand, are wonderful period pieces that vividly evoke the social fears, temptations and taboos of bygone eras. Up until the introduction of the Hayes Code in 1934 Hollywood had few inhibitions; the poster for "Girl Without A Room" (1933), for example, left audiences in little doubt as to how the young lady planned to find accommodation. Later in the decade, it became necessary to adopt the old tabloid trick of pretending that titillating content had a redeeming social message - thus the producers of "Marihuana" (1936) were obliged to present it as a warning about the dangers of drug addiction. In the 1950s, it was the Beats and juvenile delinquents who put a chill into middle-class hearts - and, of course, attracted middle-class kids to the drive-in screens. Then, in the 60s and 70s, came 'Blaxploitation' movies like "Shaft", Russ Meyer's mammary-obsessed epics like "Faster Pussycat, Kill, Kill", and even an animated sexploitation story, "Fritz The Cat". The posters for these films, from Alberto Vargas' artwork for "Ladies They Talk About" (1933) to Alan Aldridge's photomontage for Warhol's "Chelsea Girls" (1966), are masterpieces of visual innuendo, offering, in most cases, far more that the movies actually delivered.
€ 20,00
Sex, drugs, delinquency, Black power, alternative culture and, of course, rock and roll: these are just some of the themes, which have attracted the attention of the cinema's bottom-feeders over the past eighty years. A few of the resulting films have become cult classics, but most were simply tacky - few would probably now want to sit through two hours of "High School Hellcats" (1958) or "Hot Rod Rumble" (1957). The posters produced to promote them, on the other hand, are wonderful period pieces that vividly evoke the social fears, temptations and taboos of bygone eras. Up until the introduction of the Hayes Code in 1934 Hollywood had few inhibitions; the poster for "Girl Without A Room" (1933), for example, left audiences in little doubt as to how the young lady planned to find accommodation. Later in the decade, it became necessary to adopt the old tabloid trick of pretending that titillating content had a redeeming social message - thus the producers of "Marihuana" (1936) were obliged to present it as a warning about the dangers of drug addiction. In the 1950s, it was the Beats and juvenile delinquents who put a chill into middle-class hearts - and, of course, attracted middle-class kids to the drive-in screens. Then, in the 60s and 70s, came 'Blaxploitation' movies like "Shaft", Russ Meyer's mammary-obsessed epics like "Faster Pussycat, Kill, Kill", and even an animated sexploitation story, "Fritz The Cat". The posters for these films, from Alberto Vargas' artwork for "Ladies They Talk About" (1933) to Alan Aldridge's photomontage for Warhol's "Chelsea Girls" (1966), are masterpieces of visual innuendo, offering, in most cases, far more that the movies actually delivered.
The Defender. The Story of General Dynamics. Roger Franklin. Harper & Row, 1ª edição 1986. ISBN: 978-0060155100. Capa dura,16x24cm, 388p. Muito bom estado. Biografia. Inglês
€ 20,00
Franklin's book is another study of General Dynamics, following Jacob Goodwin's Brotherhood of Arms ( LJ 8/85). Both look at defense contracting and both are histories but this is a more usual narrative history. Franklin traces the firm's history from early days of the Electric Boat Company and the first subs to the most recent projects. One might wish for a fuller account of the Convair aircraft division of GD but well told are the blunders of the jetliner decision that took GD out of the civil market altogether. Well told too are the stories of the people who led GD. Interesting and recommended for general readers.Gerald N. Sandvick, Associate Dean, North Hennepin Community Coll., Brooklyn Park, Minn.
Copyright 1986 Reed Business Information, Inc.
768
€ 20,00
Franklin's book is another study of General Dynamics, following Jacob Goodwin's Brotherhood of Arms ( LJ 8/85). Both look at defense contracting and both are histories but this is a more usual narrative history. Franklin traces the firm's history from early days of the Electric Boat Company and the first subs to the most recent projects. One might wish for a fuller account of the Convair aircraft division of GD but well told are the blunders of the jetliner decision that took GD out of the civil market altogether. Well told too are the stories of the people who led GD. Interesting and recommended for general readers.Gerald N. Sandvick, Associate Dean, North Hennepin Community Coll., Brooklyn Park, Minn.
Copyright 1986 Reed Business Information, Inc.
768
Artist / Artshow. Featured over 40 exhibitions from around the World with individual interview for each featured artist. Taka Nakanishi (Ed.). All Rights Reserved, 2009. ISBN: 978-9889900144. Capa mole, 18,5x23cm, 352p. Como novo
Design
Inglês
€ 75,00
At their best, art galleries and exhibitions are able to open viewer's senses and create a feeling of ambiance, curiosity, and even sacred space. Exhibition posters can capture the imagination, help to create anticipation, and offer a glimpse of what one can expect to see. "Artist Exhibition" examines the display, presentation and promotion of artist's works around the world. By sharing works on and off the gallery walls, their transformation from sketch to object d'art through innovative framing, lighting and placement, is remarkable. It provides extensive case studies that share perspectives from curators, viewers and artists showing how their works were successfully presented and promoted.
Design
Inglês
€ 75,00
At their best, art galleries and exhibitions are able to open viewer's senses and create a feeling of ambiance, curiosity, and even sacred space. Exhibition posters can capture the imagination, help to create anticipation, and offer a glimpse of what one can expect to see. "Artist Exhibition" examines the display, presentation and promotion of artist's works around the world. By sharing works on and off the gallery walls, their transformation from sketch to object d'art through innovative framing, lighting and placement, is remarkable. It provides extensive case studies that share perspectives from curators, viewers and artists showing how their works were successfully presented and promoted.
Stanley Kubrick. Drama & shadows: Photographs 1945-1950. Rainer F. Crone, Petrus Schaesberg. Phaidon, 2005. ISBN: 978-0714844381. Capa dura, 26x32cm, 256p. Novo. Fotografia.
Inglês
€ 125,00
"Stanley Kubrick Drama and Shadows is the first publication of early photographs by renowned filmmaker Stanley Kubrick (1928–1999), taken between 1945 and 1950 — many of them never before seen by the general public. Kubrick made these photographs while he was a staff photographer for the New York–based Look magazine, following his graduation from high school and before he made his first films
Aimed at a broad audience, Stanley Kubrick Drama and Shadows reveals the director’s early experimentations with image composition and his attraction to dramatic, often psychologically intense subjects and narratives that would both become elements of his recognizable style as a director
Divided into four thematic chapters: "Metropolitan Life", "Entertainment", "Celebrities", and "Human Behavior", this book features a carefully selected group of approximately 350 photographs organized into approximately thirty photographic stories. An insightful introductory essay provides context and examines Kubrick’s photographs in relation to the history of photography".
Inglês
€ 125,00
"Stanley Kubrick Drama and Shadows is the first publication of early photographs by renowned filmmaker Stanley Kubrick (1928–1999), taken between 1945 and 1950 — many of them never before seen by the general public. Kubrick made these photographs while he was a staff photographer for the New York–based Look magazine, following his graduation from high school and before he made his first films
Aimed at a broad audience, Stanley Kubrick Drama and Shadows reveals the director’s early experimentations with image composition and his attraction to dramatic, often psychologically intense subjects and narratives that would both become elements of his recognizable style as a director
Divided into four thematic chapters: "Metropolitan Life", "Entertainment", "Celebrities", and "Human Behavior", this book features a carefully selected group of approximately 350 photographs organized into approximately thirty photographic stories. An insightful introductory essay provides context and examines Kubrick’s photographs in relation to the history of photography".
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